"Don't Feed The Reaper" - Daily Line Art #1

On October 13th, 2014, I began a challenging new routine of waking at 5am to coffee, heavy metal, and two+ hours of traditional line art illustration.  This is where we began.

Sketching Anatomical Reference

Today I made a spontaneous trip to Fort Worth's Amon Carter Museum to collect reference and sketch some of the awesome sculptures and paintings by Remington and Russell. I recently discovered how much I love that place!  With free admission every day, it's quickly becoming my favorite destination in DFW to research illustrations.  It's proven invaluable as I'm starting to really dive into my thesis.

Alien & Jonesy - iPad Sketch with Jaja Stylus

Starring my favorite movie monster, here's a quick time-lapse video of my first real attempt on the iPad with my new Jaja pressure sensitive stylus.  I've been fumbling around getting the hang of the Jaja and identifying the quirks in both Procreate and Sketch Club apps.  I'll always love my Wacom Cintiq for serious work, but this seems to be pointing in the right direction for a portable option.  I'll post again with more in-depth thoughts on it.

Happy Hot-As-Blazes!

Here's something a little different in honor of the damned blazing Texas heat! Hope everyone is staying cool, wherever you are.

I know a lot of illustrators hate working in Adobe Illustrator (funnily enough given the name), but I actually quite love using it when I can!

Crowd Surfer Game Illustration

Here is a new concept illustration for a mobile game app idea I developed for my graduate MFA in Illustration at Hartford Art School. In 'Crowd Surfer,' players bounce their phone or tablet to the rhythm of their own music library to keep the crowd riled up and avatar afloat, moving slowly toward the stage during the course of a song. Meanwhile, players tilt the phone left or right to keep their avatar level, lest they fall on their head or getting caught on fire by raised lighters in the crowd.

Anybody know a good developer?

(Traditional pen combined with Adobe Photoshop, Illustrator, and Corel Painter programs. Class by Zina Saunders and Nancy Stahl for Hartford Art School's low-residency Graduate Illustration MFA.)

Art Prints in Archival Sleeves

I've just stocked up on archival, resealable sleeves and backing boards to better present and distribute art prints through my Etsy Art Shop and fairs/shows.  I'm pretty excited about the slick new presentation, and ready to get them out into the world!  I'm also sneaking a random bonus print on the back of every piece (shhh!).

Jim Moriarty Portrait Illustration

I love the BBC's modern day version of 'Sherlock'... largely due to their brilliant and hilariously menacing version of evil mastermind Jim Moriarty as played by Andrew Scott.  

I thought I'd try my brush-pen hand at a quick caricature, so I looked at dozens of reference photographs and drew my own (it's always better to form your own version of a subject than slave yourself to or infringe on the copyright of a particular photograph).  

I put the original drawing up on Etsy for kicks as well.

Pocket Brush Fun

My Pentel Pocket Brush continues to be fun to work with on quick whimsical sketches.  I'm starting to get a feel for what it's capable of and how to control it better.  I'll look forward to coming back to these to compare after I've gotten another 10 or 20 hours under my belt.  Most notably, getting those instant fat outlines that would otherwise have taken me 10 times longer to get with a fine-tip pen... those are really fun.

Dreamosaurs in Technicolor

It's not often that I feel compelled to do color work on my black and white drawings, but something about Dreamosaurs just called for some color play.  The original idea was to do a sepia tone over the full image just to add another layer of value, but once I got going on it I felt like a deep dreamy blue made more sense.  Photoshop makes it so easy to play with variations and layers of value.  The 'replace color' option is invaluable for me during this process, as I can drag the slider bars and see different palette options in real time without doing any permanent damage to the original.

All that said, I still have the itch to do a sepia version of some of my other black and whites.  In so many words, I'd like to push my illustrations a little further without making a jarring switch to full-color. Monochrome is just too beautiful to me!

Prints of these are available at my Etsy Art shop

As an aside and in the interest of scary children's media, I have to repost a quote by Maurice Sendak (Where the Wild Things Are) that my good friend and illustrator Aja Wells shared... 


"...from their earliest years children live on familiar terms with disrupting emotions, fear and anxiety are an intrinsic part of their everyday lives, they continually cope with frustration as best they can.  And it is through fantasy that children achieve catharsis.  It is the best means they have for taming Wild Things." - Maurice Sendak

Dreamosaurs / Dinos & Dogs

Norman Rockwell said "if it isn't working, put a dog in it."  After my menacing 'Tar Pits at La Brea' piece, I wanted to do something a bit less intense and generally more accessible.  There's definitely an interesting, different energy juxtaposing the massive menace of a T-Rex with the cute and cuddly west highland terrier.

At 18"x18", this is one of my bigger pen & ink efforts.  I was pleasantly surprised to find that, with 3 or 4 coats of gesso as a base, I can use my scraper tool much like I would on a claybord piece... pulling up ink to make corrections or value adjustments.  It takes more time on the front end to get the board prepped, but it certainly offers a versatile alternative to pre made scratchboards.

Donkey Kong Un-Tied - self-promotional illustration

This is a self-promotional piece that I drew up as a companion to my Donkey Kong sculpture for Vinyl Thoughts 2 in Dallas.

With sculpture and vinyl toys being new creative avenues for me, I thought I'd take the opportunity to tie it all back to the line art drawings I consider my primarily discipline and make double impressions at the show.  So while I worked on my Donkey Kong sculpture I also drew this up in my signature pen on scratchboard style to print on self-promotional postcards and hand out at the show.  I had a lot of fun with this one!

Cosmic Controls - Gallery Benefit Piece #2

Here's my second piece for Kettle Art's For The Love of Kettle benefit show on Sat, Feb 11th.  Follow the link for details.  Again, everything in the show is a steal for $50 and goes 100% to keeping the non-profit gallery afloat.  

I've been wanting to do a piece like this for quite awhile and hope to do some more on my usual scratchboards, possibly integrating color.  This one is nib pen on 9x12 primed masonite board.  This and the 'Empty Nest' piece were a good excuse to get used to working with a dip pen instead of technical fine tip pens.  Naturally I'm most comfortable on scratchboard and still feel they're the most flexible medium for me, but I enjoying playing with new materials!

Empty Nest - gallery benefit piece

Just finished up this piece for a benefit show at Kettle Art ("For The Love of Kettle") on February 11th.  I'm told every year there's a line down the block of people waiting to get their hands on the work, all of which sells for $50.  This is a major steal, by the way, and there's a huge group of talented Dallas artists showing work.

This piece was a challenge for me in the sense that I was working on a primed piece of wood instead of my super smooth claybords, which required that I use different tools to contend with the rougher and more absorbent surface.  I went through a large handful of pens, sharpies, markers, brushes, and finally settled into a comfortable use of a dip nib pen.  So far all of these new gallery opportunities are forcing me to really stretch out of my comfort zone, material wise, while retaining a sense of my usual aesthetic.  All good things!

Kablam! - mixed media Soda Gallery piece

This is a piece I just finished for the upcoming Fab 50 Show at The Soda Gallery in Dallas on March 1st (50 artists, 50 pieces, $50 each).

This was my first attempt at adding color to a scratchboard, and found that it's remarkably easy to to add watercolor washes to the Ampersand Claybords.  The silver was also an experiment, where I masked out the black drawing with a carefully cut chunk of blue painter's tape.  Spray painting the black was a total disaster, actually, because the paint wouldn't adhere over the silver layer.  I ended up having to manually draw the lines and hand paint the fills.  The painter's tape did a nice job of texturizing the silver when I pulled it off, which was a happy accident.  


Despite my reluctance to integrate color into my drawings, generally, this was successful enough that I suspect I'll be doing more of it down the line.

Sinking Mastodon Illustration & T-Shirt Design

I did this illustration towards the end of the summer and never got around to posting it.  Inspired by the La Brea Tar Pits in Los Angeles, I wanted to do a piece illustrating the murky decline of a mastodon.  It's a bit more graphic than my usual work in the sense that there's no detailed background, instead letting the black literally swallow the image down.  

I ended up adapting the drawing into a T-Shirt mockup for one of my favorite metal bands.  We never made it to production, but it was a valuable experience communicating back and forth on the design and playing with color for a change.

Plesiosaur - Dinosaur Illustration

Here's a plesiosaur working on a snack!  I recently drew this illustration for a dear friend, being her favorite of our dinosaur ancestors.  It was fun to transcribe my prehistoric obsession underwater for a change!  Good opportunities here for gritty grey tones and squiggly shapes.  This is something I'd like to explore further down the line to really push the textures and lighting some more. 

Happy Friday the 13th, Campers!

Happy Friday the 13th, Salute Your Shorts fans!

'Lava' Volcano Illustration

Following my asteroid and prehistoric valley illustrations, I wanted to do one focusing on the erupting volcano.  This one is a 5x7, pen & ink on ampersand claybord (uninked white scratchboard).

This was a fun start to my day over coffee and heavy metal, and I thought I'd share an animated gif of the rough sketch, tighter sketch, and final inked version.

Screen-Printed Scarves

While learning the screen-printing ropes and testing some shirt designs, I got the wild hair to design some scarves as well.


I managed to pull those together faster than the shirts, which are soon to follow.  I'm really excited about these and had to share...

I'm always impressed by the high quality of what other artists are selling on Etsy.com, and I've been itching for a long time to have a product worthy of my own shop.  And that's a large part of what finally nudged me into screen printing.  

Check out the Etsy Shop and dress to depress!

Screen-Printed Scarf Concepts

A great thing about my propensity for working in black and white is that my drawings translate nicely to red/blue 3D and to one-color screen-printing.  

While teaching myself to expose the screens and print on textiles, I'm (sloppily) building myself a new one-color press that should really speed things up and cut back on misprints.  I'm doing all of this out of my one-bedroom apartment, so keeping it clean, organized, and in consistent quality are all high priorities.  This is easier said than done between the full-time design job, graduate studies, hobbies, social life, and down time.

So in the middle of all of this, I've been plotting scarf designs. I'm excited to get everything under control and organized for the launch of my web-store, which will feature hand-printed shirts, scarfs, and posters of my original illustrations and designs.

The end goal is to turn a fun DIY project into a consistent, high-quality outlet for my illustrations and designs... something I can be confident bringing to the public through the web, art/craft fairs, and beyond.