This is my first submission, and it would be super cool to see it in print. Thanks for your support!
Tuesday, January 31, 2012
Sunday, January 29, 2012
Here's my second piece for Kettle Art's For The Love of Kettle benefit show on Sat, Feb 11th. Follow the link for details. Again, everything in the show is a steal for $50 and goes 100% to keeping the non-profit gallery afloat.
I've been wanting to do a piece like this for quite awhile and hope to do some more on my usual scratchboards, possibly integrating color. This one is nib pen on 9x12 primed masonite board. This and the 'Empty Nest' piece were a good excuse to get used to working with a dip pen instead of technical fine tip pens. Naturally I'm most comfortable on scratchboard and still feel they're the most flexible medium for me, but I enjoying playing with new materials!
Saturday, January 28, 2012
Just finished up this piece for a benefit show at Kettle Art ("For The Love of Kettle") on February 11th. I'm told every year there's a line down the block of people waiting to get their hands on the work, all of which sells for $50. This is a major steal, by the way, and there's a huge group of talented Dallas artists showing work.
This piece was a challenge for me in the sense that I was working on a primed piece of wood instead of my super smooth claybords, which required that I use different tools to contend with the rougher and more absorbent surface. I went through a large handful of pens, sharpies, markers, brushes, and finally settled into a comfortable use of a dip nib pen. So far all of these new gallery opportunities are forcing me to really stretch out of my comfort zone, material wise, while retaining a sense of my usual aesthetic. All good things!
This is a piece I just finished for the upcoming Fab 50 Show at The Soda Gallery in Dallas on March 1st (50 artists, 50 pieces, $50 each).
This was my first attempt at adding color to a scratchboard, and found that it's remarkably easy to to add watercolor washes to the Ampersand Claybords. The silver was also an experiment, where I masked out the black drawing with a carefully cut chunk of blue painter's tape. Spray painting the black was a total disaster, actually, because the paint wouldn't adhere over the silver layer. I ended up having to manually draw the lines and hand paint the fills. The painter's tape did a nice job of texturizing the silver when I pulled it off, which was a happy accident.
Despite my reluctance to integrate color into my drawings, generally, this was successful enough that I suspect I'll be doing more of it down the line.
Saturday, January 21, 2012
I did this illustration towards the end of the summer and never got around to posting it. Inspired by the La Brea Tar Pits in Los Angeles, I wanted to do a piece illustrating the murky decline of a mastodon. It's a bit more graphic than my usual work in the sense that there's no detailed background, instead letting the black literally swallow the image down.
I ended up adapting the drawing into a T-Shirt mockup for one of my favorite metal bands. We never made it to production, but it was a valuable experience communicating back and forth on the design and playing with color for a change.
Thursday, January 19, 2012
Here's a plesiosaur working on a snack! I recently drew this illustration for a dear friend, being her favorite of our dinosaur ancestors. It was fun to transcribe my prehistoric obsession underwater for a change! Good opportunities here for gritty grey tones and squiggly shapes. This is something I'd like to explore further down the line to really push the textures and lighting some more.
Sunday, January 15, 2012
Last night's gallery opening of the ArtHash Open Salon Show at Kettle Art in Deep Ellum was a total blast! Incredible turnout and so much great art. Thanks to everyone who came out to say hi, have a drink, and look at everyone's work. Great to meet so many new friends and fellow Dallas contemporaries.
Saturday, January 14, 2012
I recently took part in my first vinyl toy show, celebrating Atama's 1 year anniversary at Strangeways in Dallas with 'Show Me The Munny 2'. Being my first first foray into customized vinyl toys, it was a great opportunity to meet some very talented Dallas artists and stretch beyond my usual territory of pen & ink illustration work.
|'Lobotomunny' in context... some serious talent around here!|
Somewhere along the lines I decided to crack its head open and sculpt a removable brain using Sculpey polymer clay, followed by sharpie drawing on the head, and finally a custom fabric hospital gown. I had fun putting together the wooden sawblade base as a final touch.
|show flyer with shots of the removable brain and gown|
Saturday, January 7, 2012
Following my asteroid and prehistoric valley illustrations, I wanted to do one focusing on the erupting volcano. This one is a 5x7, pen & ink on ampersand claybord (uninked white scratchboard).
This was a fun start to my day over coffee and heavy metal, and I thought I'd share an animated gif of the rough sketch, tighter sketch, and final inked version.